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Radio World

Podtrac Issues Monthly Podcast Rankers

Radio World
3 years 7 months ago
(Click here to enlarge.)

NPR and Wondery in October held their top positions in Podtrac’s list of top podcast publishers as measured by U.S. audience.

Most of the rest of the list looks like last month’s too, with a few swapping positions.

But this month, ViacomCBS joined that list and enters at #12 (bumping Hidden Brain Media out of the top 20).

Ranking data only includes publishers that participate in Podtrac measurement:

The company said Unique Monthly Audience for 19 of the top 20 publishers was up or flat in October over the month before.

(Click here to enlarge.)

 

It also found that Total Global Downloads for the Top 20 were up 9% from the month before but down 9% compared to October of 2020.

The list of top individual podcasts also looked similar at the top compared to the month before, with the NYT at the top, and NPR holding five of the next 19 slots:

[Related: “iHeart, NPR Have Their Prints All Over Podtrac Rankings”]

 

The post Podtrac Issues Monthly Podcast Rankers appeared first on Radio World.

RW Staff

Cox Appoints Eagan to Radio Audience and Ops Role

Radio World
3 years 7 months ago

Cox Media Group named Chris Eagan as its VP of audience and operations for radio.

“In this role Eagan will lead the overarching programming strategy, audience development and multiplatform distribution for CMG Radio,” it stated. “He will also lead the CMG Digital Content team and partnerships to drive innovation for CMG Radio.”

The company owns 54 radio stations in 11 markets, as well as 33 TV stations and other media assets.

[Visit Radio World’s People News Page]

Eagan was most recently senior director of operations for CMG Atlanta Radio, a cluster that includes B98.5 WSB(FM), News Talk WSB(AM), 97-1 The River WSRV(FM) and Kiss 104.1 WALR(FM).

The announcement was made by Rob Babin, SVP-head of radio, and Jaleigh Long, VP and general manager of Atlanta radio.

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

 

The post Cox Appoints Eagan to Radio Audience and Ops Role appeared first on Radio World.

RW Staff

Vertical Bridge Execs Donate to Industry Foundations

Radio World
3 years 7 months ago

Communications tower owner Vertical Bridge said its leadership team has donated $1.1 million personally to benefit two industry foundations.

The money is going to help Warriors4Wireless and the Tower Family Foundation.

“The donations were made in support of the work that these non-profit organizations do to help veterans enter the telecommunications industry and to support the families of those injured on the job,” the company stated in a press release.

The announcement was made by CEO Alex Gellman and EVP of Operations Bernard Borghei.

[Read: Vertical Bridge Remains in Acquisition Mode]

Warriors4Wireless was formed “to bridge the gap between the demand for trained and deployable wireless technicians, and the thousands of qualified service men and women eager to transfer the skills they have learned in the military.”

The Tower Family Foundation provides financial assistance to family members of a severely injured, permanently disabled or deceased tower worker.

Vertical Bridge said that last year it donated $1.5 million to 149 causes chosen by its employees.

 

The post Vertical Bridge Execs Donate to Industry Foundations appeared first on Radio World.

RW Staff

This Is the Song No One Plays on the Radio Anymore

Radio World
3 years 7 months ago

Quick, can you name a Christmas song that gets virtually no radio airplay, yet was streamed more than 57 million times last year?

It’s one of the insights in a report from P1 Media Group and MRC Data, which reported on America’s top Christmas songs and dug into what data about music streaming can tell radio programmers.

The companies tested the appeal of the 40 most-played and 40 most-streamed Christmas songs from the 2020 holidays, which ended up being 60 unique songs. They used BDSradio, an MRC Data tool; and P1 Media Group conducted a survey with 400 radio listeners in top markets who were likely to listen to a local all-Christmas radio station.

For the fifth consecutive year “Jingle Bell Rock” by Bobby Helms is America’s #1 testing Christmas song, they reported.

But eight songs from the top 40 most-streamed list tested better with likely Christmas radio listeners than eight songs from the top 40 most-played songs list. “The data suggests these eight songs can be played more on all-Christmas radio stations,” the companies said:

  • Frank Sinatra – Jingle Bells (ranked #47 on the 2020 BDS Airplay chart)
  • Jimmy Durante – Frosty the Snowman (#50)
  • Perry Como – It’s Beginning to Look a lot like Christmas (#69)
  • Chuck Berry – Run Rudolph Run (#70)
  • Earth Kitt – Santa Baby (#78)
  • Dan Hathaway – This Christmas (#84)
  • Michael Bublé – Have Yourself a Merry Little Christmas (#182)
  • Nat King Cole – Deck the Halls (#1,119)

Classic songs dominate the top 20 including “It’s the Most Wonderful Time of the Year,” “Rockin’ Around the Christmas Tree,” two versions each of “Holly Jolly Christmas” and “Jingle Bell Rock,” and three versions of “Rudolph the Red-Nosed Reindeer.” Mariah Carey’s “All I Want for Christmas is You” from 1994 is the newest song in the top 20.

Ariana Grande’s “Santa Tell Me” from 2014 and Kelly Clarkson’s “Underneath the Tree” from 2010 are the highest testing original Christmas songs from the Millennium, at #46 and #48.

Intriguingly, four of the top 40 most-streamed songs received very little radio airplay in 2020. Three are “Deck the Halls” by Nat King Cole, “Do You Want to Build a Snowman” by Kristen Bell and “What Christmas Means to Me” by John Legend.

And the fourth is the answer to the question posed at the top of this article: The song that got only 1,736 total spins last year by radio but was streamed 57.5 million times was Dean Martin’s “Baby it’s Cold Outside.” P1 Media Group co-founder Ken Benson noted: “Radio all but banned this classic song from the airwaves in 2018 due to the ‘Me Too’ movement.”

The companies have posted their full list of “America’s Top 60 Testing Christmas Songs” for 2021.

The post This Is the Song No One Plays on the Radio Anymore appeared first on Radio World.

Paul McLane

Hershberger Honored as a “Renaissance Engineer”

Radio World
3 years 7 months ago
Dave Hershberger, Geoff Mendenhall and Cliff Leitch are shown during installation of an MS-15 FM exciter breadboard for on-air testing at WGEM(FM) in Quincy, Ill., in 1977. Mendenhall’s left hand is on the exciter breadboard.

Dave Hershberger’s work with exciters and modulators for transmitters and with low-level signal processing is considered legendary by many in broadcast. In fact, he co-developed the world’s first digital FM exciter as an experimental prototype that was tested on the air in 1986.

The National Association of Broadcasters presented its 2021 Radio Engineering Achievement Award to Hershberger, saluting his work at Harris Broadcast, Grass Valley Group, Axcera and Continental Electronics.

The veteran engineer even worked on X-band uplink transmitters for the JPL/NASA Deep Space Network. He retired in 2017 as senior scientist at Continental.

Hershberger does occasional consulting but is mostly enjoying retirement life. Radio World asked him about his career, which was about evenly split between radio and television design projects, and his thoughts on current events in the world of broadcast engineering.

Radio World: Where did you grow up and what sparked your interest in broadcast engineering?
Dave Hershberger: I grew up in Sycamore, Ill., just west of Chicago but beyond the suburbs. When I was 13 years old I got my ham radio license. After a few years of ham radio, a neighbor suggested that I should look into broadcast radio. That’s what got me going.

[Read: Hershberger Honored With 2021 NAB Engineering Award]

When I was 16, I studied and got my FCC First Phone commercial license. That was my ticket to getting into broadcast. After high school, at age 17 I got my first radio job at what was then WCLR in Crystal Lake, Ill. — AM 850. They had a directional antenna and needed a First Phone licensee on duty.

David at his ham radio station (WA9QCH)

RW: Describe your early days at Harris Broadcast when you started in 1975. What was it like in Quincy?
Hershberger: Harris was a lot of fun. Quincy, Ill., less so. But it was where the work was.

I started out in the TV transmitter group, but after talking with Geoff Mendenhall, who worked in FM, we started brainstorming at lunchtime on what we would like to do in a new FM exciter.

The TE-3 was old, expensive to manufacture and had its shortcomings. Geoff worked with management, got authorization to start a new FM exciter development and I got transferred to FM. We added some more engineers on the project and away we went.

We broke new ground with a new kind of stereo generator, overshoot controlled filters, improved PLL dynamics to eliminate tilt on low-frequency square waves, and many other features.

RW: What do you consider your most important contribution at Harris?
Hershberger: That would probably be the overshoot-controlled low-pass filters. When we were developing the MS-15 FM exciter, we heard that there was a popular new stereo generator with built-in audio processing being made on the West coast. It was called the Optimod. One of its most important features was its ability to control overshoot in the 15 kHz low-pass filters integral to the stereo generator.

Bob Orban had come up with a brilliant solution for dealing with the problem. He took a systems approach, and the filtering and filter overshoot correction were tightly integrated with the audio processing.

We were also developing a stereo generator option for the FM exciter. But if we did not solve the overshoot problem too, then we would not be able to sell very many stereo generators. So my job was to find a solution to the problem.

And it was a difficult problem, controlling both amplitude and spectrum simultaneously. One way to begin to address the problem was to filter, then clip off the overshoots, and then filter again. That would reduce the overshoots somewhat but would not get rid of them completely.

Theoretically the process could be repeated: filter, clip, filter, clip, filter, clip and keep doing that until the overshoots were low enough. Of course such a system would not be practical.

Eventually I figured out that what I needed was something that did more than clipping. A clipper can be analyzed as a gain reduction device, which reduces gain only during overshoot. If I could reduce the gain more than what is necessary to accomplish simple clipping, then I could make the overshoot controller converge in just one pass of filter-clip-filter.

So the trick was to take the overshoots, clip them off, amplify them with a gain of about two and then subtract them from the clipped waveform. Linear phase filtering of that signal resulted in near complete elimination of filter overshoot, while still providing a sharp 15 kHz cutoff.

The advantage was that this was not part of an audio processor. It was a stand-alone function. So you could use any audio processor you wanted, run it into our stereo generator and the 15 kHz low-pass filters would not overshoot and create overmodulation. Any audio processor could gain the overshoot control capability of the Optimod.

We did our first on-air testing of the MS-15 exciter at WGEM(FM) in Quincy in early 1977. The overshoot control, along with greatly improved low-frequency dynamics, allowed a huge increase in average modulation.

Brian Cox was one of the engineers on the MW-1 AM transmitter. He had left Harris and was working for another company in Quincy. He would leave his car radio tuned to WGEM, and one morning he got in his car to drive to work. He turned on the radio and Brian said it was so loud that it blew him into the back seat. That was the first morning we had the prototype on the air.

RW: How about the highlights from Continental?
Hershberger: In general, deployment of digital signal processing in several different product lines: FM exciters, ATSC exciters (including linear and nonlinear adaptive equalization), and VLF and LF transmitters.

RW: Is there a career project that stands out?
Hershberger: Probably the coolest project was the JPL/NASA Deep Space Network uplink transmitters. They generate up to 80 kW in the 7 GHz range

Dave Hershberger

These were nonbroadcast transmitters but it was a most interesting and challenging project. JPL wanted very low phase noise — not for communications, but so they could also use the transmitters for science experiments. Those included searching for gravity waves by detecting phase bumps, and bistatic radar imaging. Bistatic radar has the signal source on earth, with the receiver on the spacecraft.

So everything we did required attention to low noise performance. RF amplifiers, the klystron beam supply, focus magnet supply and filament supply, and even the water cooling system all needed to be very low noise.

The first production transmitter was installed at the Goldstone station and was first used for the Pluto flyby in 2015. In addition to communication, it was used for the bistatic radar mapping of Pluto.

RW: You wrote in Radio World over the years about implementations of HD Radio. Can you discuss that work and assess the state of HD Radio in the United States, and where it may go next?
Hershberger: I’m rather disappointed. There are interference problems. The audio codec cannot be upgraded to more modern technology. There is no “Oh, wow” factor — such as having your radio figure out your preferences, and then find and record shows it thinks you might like — features that are found in some DVRs.

There is little or no ability to provide different commercial announcements and music to different listeners, based on age, interests or location. There is no non-real time transmission and storage capability.

There are many such features that should be part of a new digital sound broadcasting system. As it is, we just have plain old real-time, single-stream radio but transmitted digitally.

RW: You were an advocate for moving AM stations to TV Channel 5 and 6 below the FM band, which didn’t happen. What are your feelings about that now and about the future of AM radio in general?
Hershberger: It was unfortunate yet predictable that it wouldn’t and didn’t happen. But there is a similar opportunity now. ATSC 3.0 includes the ability to carry audio-only programs. And those audio-only programs can be broadcast with optimization for mobile reception, with robust coding, independent of the modulation and coding for the video signals.

Hershberger is shown installing AM stereo at WLS(AM) in Chicago in 1983.

I would like to see AM radio begin simulcasting on ATSC 3.0 signals. A single ATSC 3.0 transmitter could carry all of the AM signals in a market, in addition to TV programs. Car radios could be made to receive at least the audio-only streams in ATSC 3.0. And that would be a solution to the electric car problem, where the drive train makes so much electrical noise that including an AM radio is just way too expensive because of the required EMI suppression. ATSC 3.0 is also a way to make AM programming receivable in homes again.

Meanwhile, I am participating in the AM Improvement Working Group of the National Radio Systems Committee, which is studying ways to keep analog AM viable.

RW: You thanked Geoff Mendenhall and Dan Dickey for their support through the years in your NAB acceptance video. Any other mentors?
Hershberger: Absolutely. There were many. At Harris, there was Hans Bott, Tony Uyttendaele, Terry Hickman, Bob Weirather, Hilmer Swanson, Tim Hulick and there were more. At Continental there was José Sainz, Grant Bingeman, Michael Pugh, Howard Butler and more. And the late Dr. Steve Reyer, an EE professor at Milwaukee School of Engineering, was certainly a mentor.

RW: If you were chairman of the FCC, what one technical change would you want to make?
Hershberger: If I could only make one change, it would be to enforce radiated and conducted emission limits. Don’t let cheap noisy power supplies and chargers into the country. Force recalls of products that are in gross violation of the rules. Make AM radio receivable in homes again!

RW: What do you think is the most important trend or recent development in the management of technical infrastructure for radio? We hear a lot about centralization of engineering departments.
Hershberger: I’m not a manager or an accountant. But I am disappointed to see management make decisions which greatly increase off-air time when there are problems. I am disappointed to hear stations with audio problems that last for years at a time.

Better engineering is sorely needed. And that costs money, but it is well spent.

Letting broadcast infrastructure decay saves money in the short term but not in the long term. You can do the same thing with your car — don’t do maintenance — but it will come back and bite you eventually.

RW: What do you see as the most pressing technical issue facing radio broadcasters today?
Hershberger: Interference. Switching power supplies, chargers, lighting, etc. not only affect AM frequencies but also VHF and even UHF. Allocation and regulatory mistakes create legal interference which only adds to the problems.

RW: As you talk to fellow engineers, what are their most common complaints or career challenges?
Hershberger: Not many broadcasters want to do things the right way. They want to spend as little as possible, even if performance and the on-air product is degraded.

RW: What is your advice to younger folks entering a technical field like this?
Hershberger: Don’t expect to be proficient if your education is digital-only. You still need to understand analog concepts, even if they are all implemented digitally. Learn control and feedback systems, filtering, modulation theory, signal processing and complex math.

Also, beware of computer engineering philosophies invading radio engineering. As more and more digital technologies are applied to broadcast engineering, there have been clashes of culture, which turn into real technical problems. Computer engineers are interested in sending the bits in a proper format without errors.

Dave and his wife Sandy at NAB 1980. She was a software engineer for Harris and worked on remote control systems.

That much is fine. But computer engineers often pay no attention to phase noise in their clocks, or in selection of clock frequencies which are appropriate for broadcast radio, or frequency accuracy of such clocks. And why would they? Data are still transmitted without error, even if the clock is noisy or off frequency.

Bottom line, don’t assume that digital signals have low enough phase noise and frequency accuracy to meet broadcast standards.

RW: You and your wife have certainly been together a long time. Any marital advice to offer?
Hershberger: I have been married to Sandy for 44 years now. She has been a music teacher, a software engineer, for which she won an Emmy award, and a licensed marriage and family therapist.

As for marital advice, I think I would say to change compatibly. We all change as we age, and it’s important to consider our mates as we do so.

Also I think there is some luck involved. I feel pretty lucky. We are blessed to have a gifted 17-year-old daughter who aspires to a career in the sciences.

RW: Retirement life in California seems to be treating you well. Why do you love it? 
Hershberger: We live in a log house we built on our rural property adjoining Tahoe National Forest, near Nevada City, Calif. We have deer, bears, foxes, coyotes and other critters for neighbors. My voluntary hobbies include ham radio. My involuntary hobbies include property maintenance — cutting, hauling and splitting firewood from downed trees, and plowing snow with my tractor. We have alternative energy — solar electric and diesel generator backup  — for our frequent power outages, but it is beautiful here.

 

The post Hershberger Honored as a “Renaissance Engineer” appeared first on Radio World.

Randy J. Stine

Ferrite Toroids Can Be an Engineer’s Best Pal

Radio World
3 years 7 months ago
Jeff Welton

One of the best tools in the engineer’s lightning protection toolbox is a tried, true and frequently underutilized friend, the ferrite toroid.

The principle is quite simple. If you have two (or more) conductors passing through a ferrite, such that the net sum of their currents is zero, then the ferrite is an inert object, just sitting there waiting for something to happen.

If, as in the case with a surge or lightning strike, the current on any conductor increases, such that the net current is no longer zero, then the ferrite core saturates, creates a magnetic field and attempts to induce an equal and opposite current flow in the other conductor(s) — in effect, trying to maintain the zero net total current.

[Subscribe to Radio World Engineering Extra]

For this reason, ferrites are a very good tool in many ways, not the least of which is lightning protection. Used on a coaxial cable going out to the antenna system, they can also be useful for finding ground loops.

Fig: 1: Ferrites used in a transmitter installation.

If you have a ground loop, such that not all of your return current is through the coax shield, the ferrite will saturate — and quickly (depending on the amount of the imbalance between feed and return) get physically warm … in extreme cases, I’ve even seen them explode!

Easy to Install
You want ferrite toroids at the output of the transmitter, preferably before the point where the coax shield is connected to the station reference ground (usually where the coax enters the building, but not always, so keep an eye out). The photo in the first image was taken at an AM site.

In the course of the installation, ferrites can and should be placed on pretty much every current carrying conductor, including AC lines, remote control feeds and audio/AES lines (don’t forget the STL antenna cable).

Nautel provides a handful with every transmitter that goes out the door, to ensure your installation isn’t held up for want of some basic protection. Talk to your sales rep if you think you need more.

For any cable where there is a safety ground connection (for example, the antenna feedline ground referenced above, or an AC mains surge protector), ensure the ferrites are installed between the ground and the equipment being protected. That makes the reference ground connection look like a better path than the equipment, by raising the effective impedance lighting or surge current has to overcome to get to the equipment.

[Read the Complete Oct. 20, 2021 Issue of Radio World Engineering Extra]

Fig. 2: Ferrites are used on control, monitor and RF sample lines in this NX5 installation.

The second photo is a 5 kW AM transmitter installation showing ferrites on control, monitor, RF sample and Ethernet cables.

Ultimately, for the purpose of common mode protection (trying to keep feed and return currents equal), size and permeability are somewhat less important than if we were making a choke by wrapping a single conductor around the toroid.

Another use for toroids is helping to reduce pickup (for example, the RF from your AM station getting onto the audio feed for your FM station). The principle is much the same as for lightning protection: The ferrite will help to filter any signal that is not present in equal amplitudes in both the feed and return paths.

Nautel offers several ferrites that can help, and you can order them via our Parts Quotation Request form at http://support.nautel.com/parts.

Some useful part numbers:

  • LXP38 — this is a 3/4-inch inside diameter toroid, good for RF rejection and lightning protection on small signal cables.
  • LP23 — a 2-1/8-inch inside diameter toroid, good for most heavier AC cables and coax up to 1-5/8 inches (as long as the connectors aren’t already installed!)
  • LP32 — a 4-1/8-inch inside diameter toroid, good for the really big AC and RF cables (again, this won’t fit over a 3-1/8-inch EIA flange, so keep that in mind when planning)
  • LA52 — a small (1/4-inch inside diameter) clip on ferrite that helps to keep higher frequency (FM) RF out of control and signal wiring. Impedance curve shows 320 ohms at 100 MHz, so it wouldn’t be so good for an AM station, but definitely useful for a higher power FM.

Before being named sales manager for Nautel’s U.S. Central Region, the author spent 16.5 years as a customer service technician for the company.

The post Ferrite Toroids Can Be an Engineer’s Best Pal appeared first on Radio World.

Jeff Welton

Florida Licensee Faces $3,000 Forfeiture After Late Filing Penalty

Radio World
3 years 7 months ago

The Federal Communications Commission continues to hand out forfeitures to stations that fail to file their license renewal application on time.

Whether it’s only a few days late or nearly four months overdue, the FCC rules on license renewal application deadlines matter are clear: a broadcast station license renewal must be filed by the first day of the fourth calendar month before the license expires. For WPGS Inc., the deadline for filing a license renewal application for station WPGS(AM) in Mims, Fla., was Oct. 19, 2019. WPGS finally submitted the application on Jan. 31, 2020 — a day before the license outright expired on Feb. 1, 2020. The licensee did not provide an explanation, the Media Bureau said in its forfeiture order.

[Read: Sunshine State Licensee Agrees Penalty After Environmental Miss]

The FCC has some wiggle room on the amount a proposed forfeiture should be — based on the severity or length of the violation — but the base forfeiture amount for a violation like this is $3,000. In July 2021, the Media Bureau sent a Notice of Apparently Liability for Forfeiture to WPGS Inc. giving them 30 days to either pay or file a written statement asking for cancellation of the proposed forfeiture. As of Nov. 1, 2021, the licensee had not responded.

Accordingly, the Media Bureau released an order concluding that WPGS Inc. willfully violated the rules. The request for payment of the $3,000 still stands and is due before Dec. 1, 2021.

 

The post Florida Licensee Faces $3,000 Forfeiture After Late Filing Penalty appeared first on Radio World.

Susan Ashworth

WorldDAB Celebrates Receiver Sales Numbers

Radio World
3 years 7 months ago

WorldDAB says a total of 110 million DAB receivers have now been sold globally.

Twice a year, the organization — which positions DAB+ as “the core future platform for radio in Europe” — publishes an infographic that depicts trends for the digital radio format, including receiver sales, population coverage and road coverage.

It now has released its latest infographic.

It reports that over the past 12 months, the number of automotive DAB receivers sold surpassed 10 million for the first time, while consumer receiver sales totaled about 5 million units.

“The automotive DAB+ market has been transformed over the last two years,” the organization stated, “with DAB+ now a standard feature in over 89% of new cars in all key European markets.” It noted that the European Electronic Communications Code now requires new car radios in the EU to be capable of receiving digital terrestrial radio.

“In the consumer receiver market, the proportion of devices featuring DAB / DAB+ has also seen a sharp increase — from 28% two years ago to 42% in the second quarter of 2021. DAB sales are benefiting from strong marketing in Germany and the Netherlands, receiver regulation in Germany, France and Italy, and the emergence of new DAB markets including Belgium, Austria and the Czech Republic.”

Among other data points, WorldDAB said that digital radio reach “has achieved record levels in several markets, including the UK, Denmark, the Netherlands, Belgium and Australia,” and it cited growth patterns in the sales of consumer DAB+ receivers in countries like Italy, the Czech Republic and France and a number of other countries.

Below is one chart from the infographic; the full version is available on the WorldDAB website.

 

The post WorldDAB Celebrates Receiver Sales Numbers appeared first on Radio World.

RW Staff

Betting on Sports, iHeartMedia Partners With DraftKings

Radio World
3 years 7 months ago

iHeartMedia wants more of the fast-growing action in sports betting, so it has signed a “strategic relationship” with DraftKings.

It says the agreement makes DraftKings “the official odds supplier for iHeartMedia’s broadcast, digital, podcast and social platforms.”

Sports gambling is a hot commodity for big companies with radio roots just now. Audacy and Cumulus for example have been active in the sector.

iHeart and DraftKings cited all sorts of possible joint projects, including DraftKings co-creating and distributing long-form content.

“The two can also collaborate around a wide range of possible content development opportunities, tapping into iHeart’s 270 million+ monthly consumer base on its broadcast platform alone,” according to the announcement.

Further opportunities include integrations in iHeart live sports coverage and “possible experiential opportunities for listeners and fans.”

This seems like a natural fit, given the scale of iHeart’s sports audio network, which includes broadcast products as well as the large iHeartPodcast Sports Network.

Among other things DraftKings will be able to use iHeartMedia’s SmartAudio advertising products.

“The data integration would enable fact-based audience planning and targeting optimizations across iHeartMedia’s broadcast and digital platform,” they said in the announcement.

Both companies are publicly traded on Nasdaq. The announcement was made by Greg Ashlock, CEO of iHeartMedia’s Multiplatform Group, and Matt Kalish, co-founder and president of DraftKings North America.

Kalish and friends Jason Robins and Paul Liberman started DraftKings in Liberman’s apartment in Massachusetts, launching a daily fantasy sports platform in 2012. Last year it combined with Diamond Eagle Acquisition Co. and gambling technology firm SBTech, going public in April 2020. It now calls itself a “vertically integrated pure-play sports betting and online gaming company.”

Kalish was quoted saying, “Analytically tapping into iHeart’s coveted listenership while powering authentic betting content is a landmark moment for both organizations and precursor to new possibilities in media innovation.”

Related:

“Audacy Expands BetQL Sports Betting Network”

“WynnBET and Cumulus Media Forge Betting Advertising Alliance”

“Cumulus Highlights AM/FM for Reaching Bettors”

 

 

The post Betting on Sports, iHeartMedia Partners With DraftKings appeared first on Radio World.

Paul McLane

Sunshine State Licensee Agrees Penalty After Environmental Miss

Radio World
3 years 7 months ago

It’s all about the bat.

A native Floridian bat plays a significant role in a case before the Federal Communications Commission after a broadcasting firm failed to determine if the habitat of the endangered bat would be impacted by a new communications tower.

As a result, the Florida Myers Broadcasting Co. has agreed to pay a $20,000 as part of a consent decree between FMBC and the FCC.

FCC rules require a licensee to determine if its proposed facilities might have a significant impact on the environment by preparing an environmental assessment (EA), during which a licensee needs to determine if the proposed site would affect threatened or endangered species and their habitat. These rules must be followed before any work begins at the site.

[Read: Seventh Generation Asked to Pay $3,000 Forfeiture for Late License Renewal]

In the summer of 2020, FMBC began assessing a site in Southwest Florida that it was considering for a new wireless communications tower. The area is within Punta Gorda, Fla., and is home to the endangered Florida bonneted bat, an animal found only in South Florida, making its nests in wetlands, cliff crevices and tree cavities. In August 2020, without first finishing a required environmental review of the site, FMBC began clearing vegetation at the tower site, two months before it completed the required FCC antenna structure registration (ASR) process as well as an environmental assessment EA.

In FMBC’s case, those assessments weren’t completed until November 2020. After the application was received, the matter was referred to the commission’s Enforcement Bureau, which asked FMBC to submit a series of sworn questions about the situation. As part of the investigation, FMBC admitted it violated the environmental and ASR rules, specifically stating that it did not determine if its tower would have a significant impact on the environment before beginning to clear vegetation.

FMBC agreed to enter into a consent agreement with the bureau, admitting that its actions violated FCC environmental and ASR rules.

As part of the consent decree, FMBC must develop a compliance plan for this project, which includes creating a compliance manual, setting up a compliance training program revolving around the FCC’s environmental rules, filing several compliance reports detailing FMBC’s efforts to comply with the consent decree over the next 3 years and paying a civil penalty of $20,000.

The good news: the environmental review has been completed and the commission’s Wireless Telecommunications Bureau found that the tower would have no significant impact on local wildlife. To offset potential impacts to the environment based by premature clearing, the FCC said FMBC voluntarily contributed to the Fish and Wildlife Foundation’s Florida Bonneted Bat Fund to address the loss of any trees that could have been a potential roosting spot for the bats.

 

The post Sunshine State Licensee Agrees Penalty After Environmental Miss appeared first on Radio World.

Susan Ashworth

Telos Releases OmniaTools

Radio World
3 years 7 months ago

Seeking to address complaints about questionable audio in podcasts, The Telos Alliance has released OmniaTools, a software package designed to improve and make podcast audio levels consistent.

“OmniaTools allows podcasters to automatically manage loudness levels and create a unique signature sound on podcasts and other on-demand content, helping them stand out, brand, and keep audiences engaged,” the company says.

[Check Out More Products at Radio World’s Products Section]

The package is file-based and designed to work automatically, not requiring human intervention or monitoring. The processing is based on Omnia.9 algorithms. It is compatible PCM, MP2, MP3 and AAC files.

OmniaTools can process four jobs at a time and up to 16 channels of audio. It includes TU-1770 and EBU R 128 loudness control.

Send your new equipment news to radioworld@futurenet.com.

Info: https://telosalliance.com

 

The post Telos Releases OmniaTools appeared first on Radio World.

RW Staff

DRM Plans IBC Events

Radio World
3 years 7 months ago

The DRM Consortium is planning both in-person and virtual events around the upcoming IBC 2021 convention.

On Dec. 1 at 12 noon UTC, it will host a free three-hour online presentation highlighting recent developments for the DRM platform.

[For More News on the IBC Show See Our IBC Show News Page]

“The focus will be on the recent tests and improvements to the DRM performance, equipment and receivers,” it stated. “New and older members of the consortium will give a well-illustrated, quick and global view of DRM so that you can get the best and most reliable information from the specialists, a chance for you to ask questions and see the great progress made by DRM in 2021.”

DRM also will participate in a live event on Dec. 4 from the show floor of IBC, a two-hour presentation and networking event at the booth of its partner Nautel. It also will be streamed.

Details of both are posted at the DRM website.

 

The post DRM Plans IBC Events appeared first on Radio World.

RW Staff

NAB Promises a “Reimagined” Event

Radio World
3 years 7 months ago

When the NAB Show returns to Las Vegas in the spring, three years since the most recent one, it will feature some new themes. It also will use part of the new West Hall of the Las Vegas Convention Center, which was under construction when broadcasters last visited.

Early registration is open for the 2022 convention, though right now you can only sign up for access to the floor and certain content. Registration for full paid conferences and workshops is to follow.

In the next five months, assuming current plans hold, at least three major trade shows of interest to radio will return to conducting events in-person: IBC 2021 in early December, CES 2022 in early January and the NAB Show in late April.

We can expect that all three will be watched closely for indications of how their underlying industries are bouncing back from the pandemic. What will major trade shows look like now? Will they draw the many thousands of people that they did in the past? Will attendees be sufficiently comfortable with health and safety precautions to turn out in force? Will international travel rebound?

For its part, the National Association of Broadcasters says its signature event is being “reimagined” and that it will feature “distinct destinations focused on three main pillars associated with the content lifecycle.” The pillars will be called Create, Connect and Capitalize.

Chris Brown, NAB executive vice president and managing director, global connections and events, was quoted in the announcement saying the goal is “to more closely mirror today’s media, entertainment and technology ecosystem in a way that is intuitive and makes it easier for attendees to navigate the event.” He said the show will include “curated experience zones” that support innovation, networking, education and “new ways of thinking.”

Specifics are sparse so far, but you can read more about what the organization hopes to offer on this page of the show website.

The Central and North Halls will focus on the “create” part of the equation, “from pre-production to post, including the latest tools and advanced workflow options to elevate storytelling.”

The new West Hall is where companies that support content distribution and delivery can be found, “from cloud computing to new media infrastructure.”

The North Hall will also feature “content monetization solutions.”

A fourth pillar is under development; it will focus on “critical components impacting all aspects of content creation and delivery.”

The convention will not use the South Hall facilities in 2021.

Will there be a specific radio area of the show floor?

“Generally speaking, exhibits of interest to radio broadcasters will be spread among the halls,” NAB Senior VP of Communications Ann Marie Cumming told us.

“For instance, radio programmers and talent are focused on creating compelling content. While engineers may be more focused on the ‘connect’ area associated with technologies that enable delivery. Capitalization means finding new revenue streams as radio companies increasingly become multimedia companies — something of interest to the sales and management side of the business. There are also plans in the works to make sure radio broadcasters enjoy a specially curated experience with content relevant to them.”

Before the pandemic, the IBC Show in Amsterdam was reporting around 56,000 people attending each year. CES said attendance in 2020 in Las Vegas was about 170,000. NAB reported about 91,000 at its most recent Vegas show in 2019.

The post NAB Promises a “Reimagined” Event appeared first on Radio World.

Paul McLane

Ad Rep Pioneer Ralph Guild Passes Away

Radio World
3 years 7 months ago

Ad sales pioneer Ralph Guild has passed away at 93.

Guild is created with laying the groundwork for the modern ad rep sales industry with the founding of Interep in 1981. He spun that into a larger group that eventually included Group W Radio Sales (later CBS Radio Sales) and ABC Radio Sales.

Guild adapted to changing times with tweaks and permutations of the company, later moving into early digital and online ad sales.

[Visit Radio World’s People News Page]

He began his radio representation career in 1957 at McGavren Radio — a San Francisco-based firm devoted to representing radio advertising, according to a notice. McGavren sent him to New York to open their first East Coast office. Due to his work, McGavren Radio was renamed McGavren Guild in 1967. Eventually Guild became the company’s president and chief operating officer, and later its chairman.

Not surprisingly, Guild collected a number of broadcast industry awards over the years including the Broadcasters Foundation Golden Mike, UJA-Radio Federation’s Radio Group Award, International Radio and Television Society Gold Medal. He has also been inducted into the Broadcasting & Cable Hall of Fame and the Radio Broadcasters Hall of Fame.

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

 

The post Ad Rep Pioneer Ralph Guild Passes Away appeared first on Radio World.

RW Staff

Winners Announced for Best in Market for Fall 2021

Radio World
3 years 7 months ago

Winners have been announced in the Best in Market Awards program for fall of 2021.

The recipients named by Radio World are:

Angry Audio Headphone Disconnector

Inovonics 551 HD Radio Modulation Monitor

Telos Alliance Axia Quasar SR AoIP Mixing Console

Tieline Gateway 4 IP Audio Codec

Wheatstone Blade 4 WheatNet-IP I/O unit 

The program was open to manufacturers of professional radio, TV and AV products and solutions, regardless of exhibitor status at major events.

Readers might be forgiven for feeling there is a rush of award programs right now. But this program normally would have run in the spring; it was conducted in place of the “Best of Show” Awards that would have been held during the spring NAB Show, which was postponed to the fall and then cancelled for this year. A separate awards program currently is open for nominations for IBC convention season.

The Best in Market awards are judged and presented by Future brands Radio World, TV Technology, TVBEurope, Next, Mix, Broadcasting & Cable and Sound & Video Contractor.

A Program Guide with details about all the nominees including a list of winners will be published soon and distributed to readers of these publications.

The awards are intended to honor and help companies promote outstanding products launched or launching in 2021.

The post Winners Announced for Best in Market for Fall 2021 appeared first on Radio World.

Paul McLane

Letter: Sticking to our knitting

Radio World
3 years 7 months ago

A pair of readers react to Michael Saffran’s commentary “Radio, Stick to Your Knitting,” Radio World, Aug. 29.

Regarding Michael Saffran’s commentary “Radio, Stick to Your Knitting” in the Aug. 29 Opinion section:

Well said! Fads come and go, often overnight. If you thought format changes were a nightmare, being tied to a faded fad is worse.

Ideological advocacy can cost you as many listeners as it keeps, and is very unlikely to win you any more.

Gary Fisher
Rosewood Associates

* * *

Michael Saffran is correct. Businesses can shoot themselves in the foot when they go woke.

Why should I give my money to a company that is using it to promote political causes that I oppose? Or give my listening time to a radio station that uses it to lift its revenue? I have plenty of options.

Joseph Palenchar
Oakland, N.J.

Radio World invites industry-oriented commentaries and responses. Send to Radio World.

 

The post Letter: Sticking to our knitting appeared first on Radio World.

RW Staff

NCE FM Filing Window Opens

Radio World
3 years 7 months ago

The FCC Media Bureau has issued a reminder that its previously announced window to apply for new noncommercial educational FM new station construction permits will be open from tonight — Tuesday Nov. 2 at 12:01 a.m. EDT — until next Tuesday, Nov. 9, at 6 p.m. EST.

The window is only for proposals in the FM reserved band, channels 201 to 220, which is 87.9 to 91.9 MHz.

Applications must be filed electronically on FCC Form 2100, Schedule 340 in the Bureau’s Licensing and Management System. The commission will accept no more than 10 applications from one applicant.

“This means that a party to an application filed in the window may hold attributable interests in no more than a total of 10 applications filed in the window.”

[Read: Procedures Are Published for NCE FM Window]

The number of FM educational stations has almost doubled in two decades, from 2,140 in the year 2000 to around 4,200 at the most recent count.

A 2007 NCE window yielded approximately 3,600 applications, of which about 2,700 were mutually exclusive, meaning applications involved geographic or spectral overlap. The FCC in that round eventually granted approximately 1,330 CPs for new NCE service, according to commission data.

But in 2021, because of the number of signals across the FM band, observers have told Radio World that it is unlikely that applicants in this window will be able to identify full-power NCE opportunities except in relatively rural areas with smaller populations.

The post NCE FM Filing Window Opens appeared first on Radio World.

RW Staff

Key Networks Adds ATMOS Weather Reporting

Radio World
3 years 7 months ago

Syndicator Key Networks is offering a weather reporting system for radio stations that uses text-to-speech synthesis and requires no additional barter.

ATMOS Weather Reporting was developed by Summit Technology Group and uses artificial intelligence to generate a script and text-to-speech that Summit says is indistinguishable from a human voice. It describes the customizable content as “seamless, accurate and as personable as a real meteorologist.”

All advertising is contained within the weather forecasts so stations can sell local sponsorships.

The announcement was made by Key Networks CRO Dennis Green and Summit President Paul Stewart.

Green said, “Stations will get precise and accurate weather forecasts without having to give up additional inventory outside the content.”

A sample is available at the Key Networks site.

 

The post Key Networks Adds ATMOS Weather Reporting appeared first on Radio World.

RW Staff

Seventh Generation Asked to Pay $3,000 Forfeiture for Late License Renewal

Radio World
3 years 7 months ago

A South Dakota licensee is liable for a forfeiture of several thousands of dollars after allegedly failing to file a license renewal application on time.

The Media Bureau at the Federal Communication Commission found that Seventh Generation Media Services — licensee of station KLND(FM) of Little Eagle, S.D. — is liable for a monetary forfeiture of $3,000. FCC Rules require that applications for broadcast station license renewals must be filed by the first day of the fourth calendar month prior to the license’s expiration date. In Seventh Generation’s case, that filing deadline was Dec. 1, 2020.

But the Media Bureau discovered that the application was not filed on time — not until March 22, 2021. When Seventh Generation was asked about the delay, the licensee said that its previous manager — who apparently would have been responsible for overseeing the renewal — quit her position and the current manager was unaware of certain passwords and policies.

[Read: Call Sign Deleted, Permit Revoked After LPFM Construction Snafu]

In its ruling on this case, however, the bureau said this was not a viable reason. As FCC rules state, the licensee is ultimately responsible for ensuring it complies with the FCC’s rules by filing a timely renewal application. Seventh Generation’s explanation that the current station manager did not have the password to access the FCC’s filing database and that the manager was not familiar with the commission’s filing requirement is not a valid excuse.

“The commission has been clear that ignorance of the law is not an excuse for failure to comply with commission rules and regulations, and we have held that loss of a database password does not excuse an untimely filing,” the bureau said in its order.

Taking all the factors into consideration, the bureau proposed a forfeiture of $3,000. The commission has the opportunity to raise or lower that forfeiture based on the individual circumstances. In this case, the bureau found that the station had been serving the public interest, has not seriously violated other areas of the Communications Act or the FCC rules and has found no other violations that could constitute a pattern of abuse. The bureau also noted that the licensee did file the application prior to the expiration of the station’s license, which would have been April 1, 2021.

The bureau has thus ordered Seventh Generation to either pay the $3,000 forfeiture within 30 days or file a written statement seeking reduction or cancellation.

 

The post Seventh Generation Asked to Pay $3,000 Forfeiture for Late License Renewal appeared first on Radio World.

Susan Ashworth

New Public Campaign Aims to Bring Music Back Safely

Radio World
3 years 7 months ago

Addressing COVID-19 misinformation has been a priority for public radio, and two Dallas stations are continuing that role with a new campaign called “Bring The Music Back,” as part of Corporation for Public Broadcasting’s larger misinformation initiative.

Over a series of several weeks, radio station KKXT(FM) and TV station KERA in Dallas will be running the “Bring the Music Back” campaign by sharing facts about vaccinations, COVID-19 and how audiences can best remain safe when they return to live music events.

[Read: After the Masks Come Off]

The campaign will feature first-person conversations in 20– to 30–second radio spots with local and national musicians who are discussing how the pandemic has affected their industry, the importance of wearing masks and good safety practices.

Spots available for stations to use, which can be found here, include social media videos, an explainer video, marketing materials and clean broadcast spots. The stations are operated by KERA, a nonprofit organization that operates one of the few noncommercial radio stations in North Texas, with the bulk of the radio station’s lineup produced and programmed locally.

 

The post New Public Campaign Aims to Bring Music Back Safely appeared first on Radio World.

Susan Ashworth

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