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Industry News

LAist Studios Gets $500K CPB Grant

Radio World
4 years 4 months ago

Southern California Public Radio has received a half-million-dollar boost for its LAist Studios division.

LAist Studios is SCPR’s podcast development and production arm. The money is a two-year grant from the Corporation for Public Broadcasting to advance the growth of the division and its “mission of addressing the content needs of young and underserved audiences.”

[Visit the Radio World Calendar]

LAist Studios launched in 2019 and aims to “go beyond the surface to reflect the rich cultural landscape of Los Angeles and embrace the diverse voices of the region’s community.” Its shows include “The Big One,” “Servant of Pod,” “Hollywood, the Sequel,” “California City,” “California Love,” and “Norco ’80.”

SCPR noted that “California Love” made Apple’s Favorite Podcasts of 2020 list, and Spotify named it one of the Top Podcasts of 2020. “California Love” has also garnered several awards from Adweek and Bello Collective.

CPB and SCPR said Latino audiences make up nearly half of the Southern California region. “The funding will support staffing and help LAist Studios empower up-and-coming content creators by giving them the tools to develop shows and engage diverse young audiences,” according to a press release.

The announcement was made by CPB Senior Vice President, Radio, Journalism and CSG Services Kathy Merritt and SCPR Chief Content Officer Kristen Muller.

The post LAist Studios Gets $500K CPB Grant appeared first on Radio World.

RW Staff

Best Practices for Reporters Covering Unrest

Radio World
4 years 4 months ago
Bullet holes on an entrance of the U.S. Capitol January 7, 2021 (Photo by Alex Wong/Getty Images)

For reporters and stations covering civil unrest, the Minnesota Broadcasters Association shared links to several helpful resources.

“It goes without saying that journalists and broadcasters are in the front line,” the association wrote in an email to members. “Tensions are expected to rise leading up to and through the inauguration.”

Most if not all of the resources below were published prior to the events of last week.

-Poynter published “23 guidelines for journalists to safely cover protests” last June as demonstrators protested police brutality and the death of George Floyd. Sample advice: Your attitude is crucial; clearly identify yourself; have a constantly updated escape route; and consider hiring your own security.

-Reporters Committee for Freedom of the Press offers tips for both before and during protests, including researching riot control tactics for the area ahead of time; having a plan in case you get “kettled” along with protestors; avoid breaking the law yourself; and how to handle police seizures of equipment.

-The RTDNA offers guidelines for journalistic best practices, such as being skeptical of crowd estimates and not using words like protester and rioter interchangeably. “Protest can be legal or not. Rioting is by definition a crime.”

-The National Association of Broadcasters said last summer that it was “gravely concerned about recent violence against journalists who are legally covering the protests taking place across the nation.” The NAB posted a lengthy list of relevant resources that touch on topics like best practices for covering crises on Twitter;  guidelines for journalist arrests; a protest curfew order tracker; and a verification handbook for covering user-generated content during emergencies.

[Related: “How WTOP Covered the Assault on the Capitol”]

 

The post Best Practices for Reporters Covering Unrest appeared first on Radio World.

Paul McLane

Frontier Gives FCC ‘Good Faith Complaint’ Response To Gray Claim

Radio+Television Business Report
4 years 4 months ago

Gray Television in late December 2020 moved forward with the submission to the FCC of a formal Good Faith Complaint against Frontier Communications in response to the MVPD’s failure to reach a new retransmission consent agreement tied to one of its legacy systems for an ABC affiliate serving Sarasota and Manatee Counties along Florida’s Gulf Coast, and two stations in South Carolina.

On Monday (1/11), Frontier filed its response with the Commission.

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Adam Jacobson

2021 Celebration of Service Nominations Open

Radio World
4 years 4 months ago

The National Association of Broadcasters Leadership Foundation has announced that it is now accepting entries for the 2021 Celebration of Service to America Awards, recognizing outstanding community service by local broadcasters.

Eight Service to Community Awards will be presented, with one radio and one television honoree in each of the following categories: Large/Major Market (TV DMAs 1–50, radio markets 1–50); Medium Market (TV DMAs 51–100, radio markets 51­150); and Small Market (TV DMAs 101­210, radio markets 151–300).

The event won’t be a traditional ceremony at a location but rather a produced one hour program with “celebrity guests, past honorees and D.C. policymakers commending local radio and television stations from across the country for their exceptional commitment to public service and the extraordinary measures taken throughout 2020 to keep communities informed, supported and safe.” Award winners and finalist will also be honored during the event, to be available in the summer.

NAB members and nonmembers are eligible to enter. Entries must be submitted by March 5, at 11:59 p.m. PST. More specific details can be found here.

 

The post 2021 Celebration of Service Nominations Open appeared first on Radio World.

RW Staff

Telemundo Seeks To Spark Its Cash Avenue With Two New Execs

Radio+Television Business Report
4 years 4 months ago

MIAMI — One day after rival Univision Communications announced a series of major leadership changes in its C-Suite, NBCUniversal Telemundo Enterprises has revealed it is expanding its Revenue Strategy and Distribution business unit “to develop and
grow content monetization opportunities in the U.S. and around the world.”

 

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Adam Jacobson

Introducing ‘The World’s First Eyesafe Certified TV Display’

Radio+Television Business Report
4 years 4 months ago

LG Display and Eyesafe, a low blue light consumer electronics industry specialist, have teamed up to roll out the first Eyesafe Certified television display.

And, they are using the virtual CES 2021 conference and expo to do so.

The new display, which will serve a 65″ OLED television model, was designed to meet Eyesafe requirements for low emissions of blue light and optimal color performance. The certification was conducted by leading independent testing and certification firm TUV Rheinland.

The new 65″ OLED display ushers in a new era of advanced television displays that are designed for human health. LG Display expects many new Eyesafe television displays to come to market throughout 2021, as the television industry begins adopting Eyesafe Standards in an effort to communicate health and safety to end-consumers.

While the average number of hours spent in front of displays – which includes television screens, smartphones, laptops, and other digital devices – has been growing at an alarming rate in recent years, it has skyrocketed in the past year due to the global pandemic. In the U.S. alone, a recent Nielsen report indicates average screen time exceeds 13 hours a day.

The new display was the subject of an open letter issued by the Vision Health Advisory Board commending LG Display and Eyesafe for their leadership in bringing Eyesafe Certified Displays to the marketplace.

The Eyesafe Display Standard is developed in conjunction with over 250 leading ophthalmologists, optometrists, and engineers who have been conducting and analyzing clinical health and safety research on the impacts of exposure to high-energy blue light.

The LG Display television display has met the Eyesafe Display Standard requirements and will receive an AK Certificate (Certificate of Conformance) issued by TUV Rheinland, including the test report. Consumers can obtain information on certified products on the TUV Rheinland certificate database Certipedia, which helps facilitate consumers’ understanding of a product and enhance confidence in the purchase.

“Given the growing body of research around the breadth and scope of potential eye and systemic health impacts related to blue light exposure – amid a global pandemic which has forced many of us to adopt e-learning and work-from-home routines into our daily lives no less – the timing for the world’s first-ever Eyesafe Certified TV Display could not have been more timely,” said Davis Lee, a senior advisor to Eyesafe, the former Senior Vice President of LG Display and most recently the global head of monitors at Dell Technologies. “Through our partnership with LG Display, our mission is to work together to develop an array of display solutions that are designed to support consumer health, and we intend for the majority of the world’s brands to adopt Eyesafe.”

For more information on the LG Display television display designated as meeting the Eyesafe® Display Standard, please visit Eyesafe.com.

RBR-TVBR

Hey, Bud: Translate This! Your Request Is Accepted

Radio+Television Business Report
4 years 4 months ago

It’s a small world, after all, thanks to Zoom and the stay-at-home edicts some continue to endure across the globe as a result of the now 10-month old COVID-19 pandemic.

For some media organizations, this has increased the need for content — and, perhaps, breaking the language barrier. Guess what? Some 200 media organizations including the BBC now have access to a product that uses cutting-edge AI and hardware technology to offer verbal translation to English of content in a foreign tongue.

Introducing the M2 Translator Earbuds courtesy of TimeKettle, billed as the “world’s first offline” device of its kind. It’s been featured as part of the CES 2021 Innovation Awards, and via the American crowdfunding website Indiegogo has raised $770,792 toward its dissemination as a product with global reach and use.

Timekettle M2 translator boast multiple functions aside from translation, including phone calls, music listening, and access to a voice assistant.

Then, there is the Remote Mode capability, which allows up to 40 people to translate content from 40 languages simultaneously; this means people can enjoy group chatting and remote video calls via Zoom or Skype.

What about distinct accents? The device can detect 93 accents among the 40 languages it can translate — including 13 accents, allowing someone from Hawaii to easily communicate with English speakers in Timaru, New Zealand; Leeds, England; Edinburgh, Scotland; Boston; Frankfurt, Ky.; and Odessa, Tex.; with ease.

Sound quality is provided by a Qualcomm aptx 5.0 technology.

The M2 runs off mobile devices, requiring iOS 11.0 or higher in an iPhone and Android 7.0.

It also requires Bluetooth 4.2 and above for tech specification.

HOW TO LEARN MORE

Time Kettle operates a U.S. office from an office building directly opposite the famed Chinese Theater in Hollywood. Perhaps it is fitting, as Time Kettle is headquartered in Shenzhen, China.

General Questions: info@timekettle.co

After-sales Questions: support@timekettle.co

For Marketing/Branding: social@timekettle.co

For Business: dorothy.cui@timekettle.co

Address: 6922 Hollywood Blvd., 4th Floor, Los Angeles, CA 90028

Operation Hours: Monday – Friday 9:30AM – 6:30PM

Adam Jacobson

As Rumored, Univision Launches An Ad-supported App

Radio+Television Business Report
4 years 4 months ago

Less than 24 hours after a major shakeup in its corporate ranks, Univision Communications has moved forward with its widely discussed plans to launch an advertising-supported streaming service serving Spanish-speaking U.S. Hispanics.

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Adam Jacobson

From CES 2021: Ultra High Speed HDMI Cables Now Available

Radio+Television Business Report
4 years 4 months ago

Over three years after the launch of the HDMI Specification Version 2.1, major products are now widely available that support HDMI 2.1 features including 4K@120Hz, 8K@60Hz, Dynamic HDR and eARC.

Instead of asking when HDMI 2.1-enabled products will be available, people are now asking for advice about which new HDMI 2.1-enabled products to buy.

 

“It’s exciting to see so many new products available with these new features,” said Rob Tobias, CEO and president of HDMI Licensing Administrator Inc. (HDMI LA). “And with the launch of the latest gaming consoles, consumers can now enjoy a thrilling HDMI 2.1 end-to-end experience with consoles, AVR’s, cables, TVs and monitors. With shipments of HDMI products reaching almost 10 billion since it launched in 2002, HDMI technology continues to be the universal interface for consumer electronics products.”

HDMI 2.1 technology’s enhanced gaming features deliver gaming experiences into the home. These features include Variable Refresh Rate (VRR), Auto Low Latency Mode (ALLM) and Quick Frame Transport (QFT); and when combined with new 4K and 8K displays, HDR and eARC immersive audio, HDMI 2.1 brings the best of home entertainment to life. The new Fixed Rate Link (FRL) mode of HDMI 2.1 ensures much more robust video delivery over the cable, by using a robust forward error correction scheme, combined with a link training protocol which adapts the link rate, if needed.

Accomplishments for the HDMI Forum

“The HDMI Forum didn’t rest after releasing the 2.1 specification and 2020 was one of its busiest years ever,” said David Glen of Advanced Micro Devices, Inc. and President of the HDMI Forum. “We launched the Ultra High Speed HDMI Cable Certification Program (UHS Program) and now these UHS Cables are available in the market to enable full the 48Gbps performance of HDMI 2.1. We also released the Compliance Test Specification for Active Cables, and end-users will shortly be able to purchase Active Optical Cables that support longer length installations, an important step in completing the HDMI 2.1 ecosystem.” Regarding the future he added, “In addition to the great products released in 2020, we’re expecting many new products in 2021 supporting the enhanced features of HDMI 2.1.”

The mandatory UHS Program ensures that quality Ultra High Speed HDMI® Cables reach the market and support 4K and 8K video, HDR, VRR, eARC and all other HDMI 2.1 features, and cables are required to affix an Ultra High Speed HDMI Certification Label to each package notifying consumers of the certification status of the product. These Certified cable designs must pass rigorous testing requirements for 48G signal performance and pass new state-of-the-art EMI tests designed to minimize interference with Wi-Fi, Bluetooth and other radio frequencies.

The HDMI Forum is also promoting HDMI Cable Power. With this feature, active HDMI Cables can now be powered directly from the HDMI Connector, without attaching a separate power cable. This makes attaching and using active HDMI Cables as easy as using passive, wired HDMI Cables.

Shipments of Premium High Speed HDMI Cables grow along with expansion of 4K content distribution

With the explosion of 4K content, this cable is vital to both the consumer and commercial sectors connecting 4K cable, satellite and IPTV set top boxes to TVs. It is specified globally for use by service providers for in-home installations. It also requires packaging to display the Premium HDMI Cable Certification Label for added verification of compliance and to prevent counterfeiting; this cable certification program is also administered by HDMI LA.

HDMI LA Ramps Up International Enforcement of Counterfeit Products

HDMI LA ensures licensed and compliant products reach the market and works with international law enforcement and customs and borders officials to conduct factory raids, product seizures and takedowns of counterfeit product listings on e-commerce and social media. This benefits the licensed HDMI Adopters and authorized resellers and ensures end-users can purchase legitimate products, enabling a seamless plug-and-play experience.

HDMI LA at CES 2021 HDMI LA is participating in the all-digital CES 2021 and will be hosting content as well as a webcast featuring David Glen and Rob Tobias providing a more detailed update on the status of HDMI technology and HDMI 2.1 in the marketplace.

 

RBR+TVBR PRODUCTS AND SERVICES

RBR-TVBR

How Did COVID-19 Impact the CE, Entertainment and Pro AV Markets?

Radio+Television Business Report
4 years 4 months ago

The global economy has been decimated by COVID-19, and while governments continue to try and contain the pandemic, industries and societies have had to adapt.

Ahead of CES 2021, Futuresource offered a third COVID-19 update that reflects on progress governments have made towards addressing the economic impact of the pandemic. This includes how the Consumer Electronics, Entertainment and Pro-AV markets have fared in H2, as well as what the indications are for the first half of 2021.

Chris Pennell, the Principal Analyst for Futuresource Consulting, notes that the promising news coming from COVID-19 vaccine trials has provided industries and citizens with the hope that we might be about to turn the corner. But, the impact and disruption to socio-economic trends will likely be with us for some time, he predicts.

In June 2020, when Futuresource last wrote about the impact COVID-19 was having on technology sectors, the outlook was for market disruption to continue through the second half of 2020, with both demand and supply-side issues not being fully resolved until the first half of 2021. “We were expecting as much as $120 billion to be wiped off the retail value of Consumer Electronics, Entertainment and Pro-AV markets by the end of 2020,” Pennell notes.

Where there were uncertainties in the first half of 2020, governments have stepped in and provided support; it is estimated that globally, more than 50 million jobs have been retained due to direct government support, he says.

“Thanks to the success of national lockdowns the spread of the virus had slowed enough that by the end of H1 2020, governments had rolled back restrictions on trade and mobility to encourage consumers and workers to return to pre-COVID-19 patterns,” he says. “However, since then cases have risen once more, forcing governments to implement short term national lockdowns or localized approaches.”

The second wave notwithstanding, the combination of government support and easing of lockdowns has softened the economic impact. In the first half of last year, forecasters were estimating that the pandemic would lead to a 7.6% decline in the global economy. Forecasts have since been revised and it is now thought that the global economy will shrink by 7.2%, a slight improvement. However, this level of support has come at a cost. Globally, government debt is now on average equivalent to 76% of GDP.

Have government actions been enough to revive those markets most impacted in H1 from the pandemic? “Currently it appears not,” Pennell says. Areas such as box office and live events remain subdued.

“The reliance of pay-tv on key events, many of which have been cancelled or scaled back, has led to an overall decline in ARPU,” Pennell notes. “Instead, consumers are subscribing to media content via on demand services and Futuresource forecast spend on premium video on demand (PVOD) will top $500 million by the end of 2020.”

Media consumption is not the only area where Pennell has seen significant changes in channel preferences by consumers. Industries that have previously been slow to adopt digital channels in comparison to consumer facing enterprises have had to catch up. At the same time, vendors with large retail outlet footprints have had to consider how to blend online experiences with existing channels, with stores modifying customer engagement strategies to include curb-side pick and digital signage.

“2020 has not only left a lasting mark on consumers; it has also led to a shift in the relationship between work and technology,” Pennell continues. “With two thirds of enterprises allowing employees to work from home, the home working genie is well and truly out of the bottle and it is difficult to see it going back. Vendors are starting to place big bets on the integration of collaboration and communication tools with enterprise systems, as evidenced by the recent announcement that Salesforce is looking to acquire Slack (a work-based chat and collaboration platform) for $27.7 billion. For the rest of the sector, 2020 was a year of two halves. In H1, demand far outstripped the ability of vendors to supply devices, while H2 saw a gradual return to more rational patterns of demand.”

And, while 2020 might have been a particularly difficult year for vendors, the trends of 2020 are set to accelerate next year. Pennell believes vendors of consumer technology and media will need to confront the lack of investment into online channels, as well as the low cost of sourcing goods and switching enabled by digital channels by developing customer experience programs. For enterprises, investment in digital tools is now a priority. “Enterprises are having to use technology to be able to react faster to unpredictable changes by enabling teams to maintain productivity no matter where they are working from,” he says.

RBR-TVBR

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